American Studies BA (Hons)

The American Studies dissertation is the most substantial piece of work you will produce during your undergraduate career. It will enable you to apply the skills you acquired at earlier levels to a discrete body of primary sources related to an identifiable area of scholarly enquiry. Dissertation topics will normally be chosen from an area you have studied before or are studying at Level 6 and be supervised by an appropriate tutor. Whereas the American Studies Extended Essay at Level 5 is explicitly interdisciplinary, Dissertations may utilise a single-disciplinary approach to the chosen subject, in line with each student’s developing interests and disciplinary inclinations.

Focusing on North and South America, this module examines the interaction between humans and the environment throughout history. We will discuss the ways in which various peoples experienced their environment: how they attempted to change it, how they were limited by it, and how they thought about nature. In doing so, we will consider historical change at several levels:

1. Material and ecological: the physical changes that humans in the American have wrought over the past 10,000 years.

2. Social and political: the connection between peoples’ use of the environment and the way in which American societies developed.

3. Intellectual and ideological: how individuals and societies have understood nature at various points throughout history and how this understanding has shaped their actions.

You will find out about the relationship between humans and nature in the period before European expansion in the Americas and, following on from this, you will consider the ecological impact of European colonialism. The module content covers human activities such as farming and mining, but also the impact of floods, hurricanes and climate change. You will consider the spread of cities, the role of their hinterlands and the creation of national parks. In the final sections of the module, you will examine the manifold impacts of consumer culture (including waste and pollution) as well as the rise of environmentalist movements that were critical of humans’ ecological footprint.

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

In this seminar-based module you will study the roots, trajectory, and legacies of the African American Freedom Struggle since 1945. Although the primary focus will be on the movement for racial justice in the US South between roughly 1954 and 1968, that history will be placed in longer chronological and broader national and international contexts. More specifically you will study the grass-roots activities of African Americans engaged in various forms of resistance and protest alongside the histories of the major civil rights groups – the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), the Student Non-Violent Coordinating Committee (SNCC), the Congress of Racial Equality (CORE). You will interrogate their tactics, examine their often fraught relationships with each other, and assess their achievements and failures in the face of widespread resistance to racial change. You will examine the contributions of the extraordinary ordinary people at the heart of the struggle, as well as those of nationally prominent leaders such as Martin Luther King. In this module you will also analyse the relationship between the civil rights movement and the federal government, address the role of the media and popular culture in shaping both the history and popular understandings of the post-war Freedom Struggle, and examine the international coordinates and impact of the struggles.

The module examines the history and significance of the Black Panther Party (BPP), a radical protest group formed in Oakland, California in 1966. It locates the BPP within its intellectual, political, geographical, and social context, giving students the opportunity to engage with important texts that influenced the BPP while also considering the BPP’s contribution to ideas about political struggle. The module details the history of the BPP from formation until its decline into irrelevance in the late 1970s, spending considerable time focusing on key individuals such as Huey P. Newton and Eldridge Cleaver, the FBI repression which resulted in the deaths of numerous BPP members, gender relations in the Party, and the BPP’s political and intellectual development. Students may start the module thinking that the BPP simply represented a violent response to African American oppression dominated by guns, leather jackets and Afro haircuts but they will end the module with a nuanced understanding of the profound contribution of the BPP to American history.

This module will explore the history of ‘law and order’ politics (broadly defined) in the United States since 1900. You will learn about the creation of the law enforcement and judicial state at the federal, state, and local level (including, for instance, the establishment of the FBI and the rise of the carceral state), and the social movements that resisted and challenged that state. The module will cover such diverse topics as Prohibition, the Stonewall riot and the early LGBTQ movement, the prison reform and prisoners’ rights movements, the War on Drugs, anti-death penalty activism, and Black Lives Matter. This module will deal with fundamental questions of order and justice, how they have been contested in American society, and how they have intersected with issues of race, class, and gender.

In July 1979 a broad-based opposition movement led by a small group of young guerrillas - the ‘Sandinistas’ - overthrew the Somoza dictatorship which had ruled Nicaragua for 43 years. The euphoria of triumph quickly soured, as the new Sandinista government faced division at home and aggression from overseas, in the form of a US-funded proxy conflict, known as the ‘Contra War’. In this module, you will learn how ordinary Nicaraguans experienced the revolutionary decade by working with a wide range of sources, including memoirs, poetry, and murals. You will draw on testimonios and oral histories to critically evaluate the impact of the revolution’s programmes in education, agrarian reform, and women’s rights; and you will explore the Contra War in the context of the wider Cold War struggle between the Soviet Union and the United States. Finally, you will use your detailed knowledge of the period to assess the relative importance of a number of factors, including US aggression and Sandinista failings, which together caused the eventual defeat of the revolution.

In every empire, including the British case, non-human animals have been a crucial presence. Domesticated creatures, such as cows, pigs and sheep, accompanied European colonisers and assisted in the – often violent – processes that led to land clearances, changed environments, indigenous dispossession, and the spread of European settlement. This module seeks to give you a sense of the complicated and contested place of animals in empire. For some human colonisers, the hunting, killing, stuffing and exhibition of wild animals symbolised the European’s command of nature, and helped justify the whole imperial endeavour. But animals could also make trouble for empires: efforts to reproduce prized species and breeds did not always work; many animals spread disease; the growth of pest populations was a constant source of anxiety; and imported species could bring environmental changes that endangered both indigenous and European settlement.

This module considers this complicated interweaving of human and non-human histories in the British empire story, from the early modern settlements of seventeenth-century New England to the colonies of indirect rule in twentieth-century Africa. The first week will introduce you to the methodologies of animal history, and what an animal history of empire requires and might reveal. Thereafter, each week considers a species and a regional case study (e.g., rabbits/Australia; cows/southern Africa; tigers/British India). This simple structure introduces learners to themes as various as imperial masculinity and violence (hunting), ecological and social crises (epizootics), colonial community and family life (pet ownership), colonial urban history (pest control), imperial cultures in the metropole (taxidermy) and colonial national identity (animals as symbols). Importantly, the module is not exclusively structured around British and European viewpoints and actions: episodes such as the Xhosa cattle killing in 1850s southern Africa, to take one example, allows for a consideration of the differences and similarities in European and indigenous human-animal relationships.

You will learn about the relationship between empire, ecological degradation, and conservation through key themes such as ‘ecological imperialism’, ‘green imperialism’ and ‘animal agency’. Finally, this module will help you to historically contextualise current debates about human-animal relationships and the imperial roots of our ecological crisis; you may also recognise that the British empire experience provides examples and lessons that might help us rethink contemporary anthropocentric attitudes, and to develop healthier alternatives.

Two of the most important problems facing humanity are climate change and energy security. In terms of solutions, a number of very different approaches have been suggested that range from the technological to the radical; how we address and solve these problems is therefore political. This module highlights how energy and resource intensive the average Western way of life is and what this means for climate change and energy security; explores the debate about peak oil (i.e. the point at which cheap and easily accessible oil starts to run out) and considers its political implications; investigates how Western foreign policy has been influenced by the desire to access, if not control, energy sources (e.g. Middle Eastern oil); evaluates the debate about climate change and how politicians have, and could, respond; and assesses the debate about energy policy and how politicians have, and could, respond to the twin demands of tackling global warming while ‘keeping the lights on’.

This module is concerned with popular music culture and its relationship to film, an area much neglected in academic film studies, television studies and popular music studies. As such, it seeks to address this absence by looking at a number of key junctures where popular music culture, the cinema and television inter-relate, exploring debates about gender representation, authorship, genre and music in performance, as well as how the films studied relate to context of their production and reception. The module, therefore, covers topics such as the following in a largely chronological fashion. An indicative syllabus is as follows:
1. Early moments: The significance of the early Elvis Films: King Creole
2. Punk rock on film: The Great Rock n’ Roll Swindle
3. The revisionist musical: Von Trier, Lhurmann et al
4. Popular Music and national identity: The Commitments
5. Popular Music and ‘Race’ representation: 8 Mile
6. Gender play: Velvet Goldmine, In Bed with Madonna
7. The popular music / rock documentary
8. Dance and the male body: Saturday Night Fever
9. The concert film" from Wadleigh's Woodstock to Godard's One plus One.
10. Critical approaches to music video: Corbijn, Cunningham et al.
11. Nostalgia and the popular musical biopic: Control

You will learn to understand how the term ‘cult’ has been applied to film and television programmes in different ways, and how the concept has developed across history. The module will enable you to critically examine the ways that cult has been theorised both in relation to films and television programmes, and some of the key differences between cult television and cult film. You will understand how cult can be applied to both films, the reception of films, as well as how it has increasingly infiltrated marketing discourses. Case studies on the module include midnight movies, authorship and cult, fandom, telefantasy, censorship and controversy, exploitation cinema and global cult cinema.

In ‘Adaptations on Film and TV’ you will examine the practical and theoretical debates around the translation of a variety of texts into films and television programmes. A broad-range of case studies is covered, from adaptations of ‘high art’ such as Shakespeare and literary fiction, to the conversion of popular fiction, comic-books and supposedly ‘unfilmable’ sources. As well as considering issues of authorship and originality, you will consider the complex relationship between film, television and other media forms, from music and video-gaming to theme-park rides. Films and programmes under discussion are likely to include examples such as Adaptation, William Shakespeare’s Romeo + Juliet, Sherlock, Doom, The Walking Dead, Band of Brothers, Star Trek amongst others.

The modern period in horror cinema is generally seen as beginning in 1968 with the release of Night of the Living Dead. This module explores the wide range of horror films produced since that date, primarily in the US but also considering the development and influence of horror film production in Italy, Japan and the UK. Through this exploration, the module will identify key themes, formats and cycles, and engages with the relation of the horror genre to changes in the film industry and to broader social and historical change. It also explores the aesthetic innovations and challenges offered by a range of forms of horror, and the creative ways in which the genre has experimented with film form and style. In taking the module, you will acquire an understanding of the critical and cultural issues raised by this important area of American and global culture and you will develop your own critical and analytic insights into a range of iconic horror films produced between 1968 and the present.

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Dissertation writing requirements
• Research Skills
• Ethical considerations
• Understanding research limitations
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.